Question:
Hi, is there someone who can give me some
directions about playing the sax? I've just purchased one and would
love to know how to play it. Some helpful weblinks would also be great!
Answer:
First things first. If you're a white
guy, you'll need a stupid hat, the stupider the better, preferably a
beret. Sunglasses are optional, but all the really really good players
wear them, especially indoors.
You'll also need some "gig
shirts" -- Hawaiians are good, in a pinch anything with a loud floral
pattern is acceptable, as are T-shirts from various jazz clubs and
festivals. Get them mail order, so you don't have to go to all the
trouble of actually seeing live music. And sandals are an absolute
must, even in winter.
Once you've assembled the proper attire you can begin practicing.
One
of the most important things about playing is being able to convey
emotion to the audience. This you do through various facial
expressions. The two emotions you'll need to convey are (1)
rapture/ecstasy and (2) soul wrenching pain/sadness (i. e., the blues).
You may find it useful in the beginning to borrow a page
from the method acting school. So, for example, to convey rapture try
thinking of something nice, like puppy dogs or getting a kiss from Uma
Thurman while Phil Barone feeds you Armour hot dogs with truffle sauce.
To convey the "blues" try thinking of something really
really appalling, like ulcerative colitis or Alec Baldwin. Practice
your facial expressions in front of a mirror at least two hours per
day. You may feel a tad stupid at first, but you'll never get the
chicks if you don't jump around on stage like a monkey with your face
all screwed up like there's a rabid wolverine in your colon, believe
you me. And bottom line, chicks is really what music's all about.
Next,
you'll need the correct ligature. Some people think that the ligature
is just a stupid piece of old metal that holds the reed on the
mouthpiece.
Well, those people are idiots. Besides your
beret, your ligature is the single most important piece of musical
equipment you will ever buy. Mine, for example, is 40% platinum and 60%
titanium; one screw is rubidium and the other plutonium. It makes me
sound exactly like Booker Ervin would if Booker Ervin were (1) not dead
and (2) on Mars, if (2)(a) there was oxygen on Mars.
You
may have to spend years and years and thousands of dollars finding the
proper ligature, but in the end it will definitely be worth it.
Now:
reeds. Optimally you'll want to move to the South of France, grow and
cure your own cane and carve your own reeds by hand. If you're just a
"weekend warrior" however, you can get by with store-bought. First, buy
ten boxes of reeds, that's 100 in all. Next, open all the boxes and
throw away 60 reeds. Those were unplayable. Take the remaining reeds
and soak them in a mixture of
27.8% rubbing alcohol and 72.2% pituitary gland extract for a period of 17weeks.
Throw
away 20 more reeds. Those were stuffy. Take the remaining 20 reeds and
sand each one for exactly 13 seconds with #1200 grade 3M sandpaper.
Throw away 14 reeds. Those squeaked. Take the remaining 6 reeds
and soak them for another 17 weeks, this time however in a mixture of
27.8% pituitary gland extract and 72.2% rubbing alcohol. Sun dry the 6
remaining reeds for 3 weeks, optimally at an equatorial latitude, and
throw away 3 more just on general principles. You now have 3 reeds that
will last you several months if you play each one only 20 minutes a day
in strict rotation.
Now, you say you just bought a horn.
Although you didn't say what kind it is, I'd sell it immediately and
get a different one. The best one to get would be a Selmer Mark VI made
at 4:27 PM on June
14, 1963, serial number 135543. If you can't
get that one though, generally speaking the older and more expensive
the better. The following brands are good: Selmer Paris Mark VI.
The
following brands suck: any other Selmer, Yamaha, Conn, Beuscher,
Yanigasawa, Cannonball, LA, Jupiter, Elkhart, King, Martin, Keilworth,
Boosey and Hawkes, Couf, Silvertone, and Holton.
On no
account should you play the horn before you buy it: go strictly on
reputation and price. If you can't get a Mark VI and need further
information, there's some broad in here who's owned every freaking
saxophone ever made, Sherry or Sheryl or something, she can probably
tell you which one's the best.
You will also need some
accoutrements: a flight case capable of withstanding atmospheric
pressure of dP = - Dg dz where D and g are, respectively, the density
of air and the acceleration due to gravity at the altitude of the air
layer and dz is a horizontal layer of air having unit surface area and
infinitesimal thickness; a metronome; a tuner; a combination alto,
tenor, and baritone sax stand with pegs for oboe, bass clarinet, flute,
English horn and bassoon; Band in a Box; every Jamie Abersold
play-along record ever pressed; a reed cutter; swabs, cleaners, pad
savers, pad dope, pad clamps; a Sennheiser Digital 1092 Wireless
Microphone; an effects rig with digital delay and parametric EQ; and a
200 watt per channel (minimum) amplifier with 18" monitor.
It
will be helpful if you listen to lots of sax players. Unfortunately,
listening to players you like is the worst thing you can do. To really
understand the music and its traditions, you have to go back to the
beginning and work forward. I'd start with madrigals and listen to
every note of music ever recorded. Once you get to the 20th century,
pay particular attention to Jimmy Dorsey and Sidney Bechet, the
wellsprings of the modern jazz saxophone. In no time at all, or by
2034, whichever comes first, you'll be able to understand the unique
be-bop stylings of players like Ace Cannon, Boots Randolph and Grover
Washington Jr.
Oh, yeah. To play the sax itself, blow in the small end and wiggle your fingers a little.







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